Stephen Troussé
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Marianne Faithfull as pictured by Peter Blake, 1968

music

Fabulous beast

Marianne Faithfull, 1946-2025

Adrien Brody on a hillside in a still from the film The Brutalist

films

The Brutalist

There’s something of Scott Walker’s madly ostentatious Europhilia to the film, his insistence that the pop song could be a church broad enough to welcome Bergman, Stockhausen, Brel and Pasolini.

Timothée Chalamet walks through Greenwich Village in a still from the film A Complete Unknown

films

A Complete Unknown

There is lightning in many of the performances, but as a film A Complete Unknown never goes fully electric.

Kieran Culkin and Jesse Eisenberg in an outdoor cafe in a still from the film A Real Pain

films

A Real Pain

Eisenberg's script is brought to life by an electric performance from Kieran Culkin, who adds depth to his own actorly niche as the charming, hyperactive and exhaustingly chaotic Benji. 

Ethan Herisse looks down at the camera in a still from the film Nickel Boys

films

Nickel Boys

Adaptation feels too tame a word for what Ross is up to in this astonishing film. What he accomplishes here is on the level of the magic that Charlie Parker worked on the 12-bar blues

LA CHIMERA

films

LA CHIMERA

Alice Rohrwacher's Orpheus in the Tuscan underworld

Farewell little fireball

music

Farewell little fireball

Ronnie Spector, 1943-2022

Brett Anderson onstage with Suede in 2010

films

Suede: the insatiable ones

The mundane reality of addiction, it turns out, is not Byronic wraiths in Ghormenghast mansions but a pie-eyed Anderson plonking atonally on a cheap synth, vainly trying to compose Head Music.

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Stephen Troussé
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Stephen Troussé